adam beyers mad eye records was created as an opportunity for adam to be as experimental as possible with records that dont fit on either of his other labels drumcode or truesoul.

massive floor attack ! the len faki remix is a bangin primetime track at it best... just listen

adam jay & rebecca ciaglia team up and strike back on starkstrom with this amazing ep containing 3 outstanding original techno stompers plus a huge remix of andrei morant. coming on limited yellow transparent vinyl!

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

drumcode release nr 100, labelowner adam beyer selbst und unter mithilfe auf der b seite mit ida engberg... drumcode prime time drama

european manufacturing, crafty, dark atmospheric techno cuts.

neyt adam beyer prime time techno madness

ultraphat uk prime time techno

dennis ferrers objektivity imprint return with their first release of the summer and a debut single from hot new talent, adam berecki. the 22 year old from dortmund is set to make a huge impact in 2012 with his westpark trax ep. a double-header that sees him channel the spirit of early nyc and chicago house.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

nice price deal !!! powerful track excursions from adam marshall. >bass tracking< is a raw, throbbing techno bounce with jamming claps and a grizzled analog bassline that will tear out the speakers. >holding down<, and the alternative beatless version are trusted mixing weapons for early mornings or dark, heavy nights.

extreme limited copies, killer techhouse, for friends of keinemusik or keinerechte

limited special edition on transparent vinyl … brilliant techno tracks by mastermind adam jay who previously released his tracks on kombination research, punish, phobiq, monoid, fine audio, chroma and various others!

prime time techno by these two heavyweights

remix of the sting track >inside<, made by timmy regisford and adam rios.

remix of the 1980 stevie wonder track >lately<, made by timmy regisford and adam rios.

after only a handfull of remixes and original productions, but a long period as a dj philipp adam as one part of two-b-music delivers his long awaited debut ep. he therefore provides four tracks full of soul, pendeling between warm harmonies, stargazern, melodies and magic funk always with one eye on these days back in detroit. we are very happy with this release and its gonna be available within a limited edition of 250 copies only.

adam port redefines the number 13 as a number to love with this high quality release from the keinemusik camp ... top! including strong vinyl only track: >i love you<. we love you, too!

15 years of drumcode , part two with bangin techno , a side is made by adam beyer and remixed by joseph capriati. flip with > olique <, made by roberto capuano

nkltd enters the fall season with a simmering two tracker from adam marshall – backed with a tough remix from torontos kevin mcphee (idle hands, naked lunch).

part 1 : original & joel mull rmx!

part 2 : radio slave & jesper dahlbaeck remixes

limited backstock action !!!

limited to 200 copies, no repress. excellent tech house anthem with a special feeling. dj monster (please make preorder to save your copy)

supported by: dubfire, nic fanciulli, audiofly, gregor tresher, martin eyerer, karotte, anthiny collins, julietta, tiefschwarz, meat, andrew grant, paco osuna, nick curly, robert dietz, martinez, enzo siragusa, federico molinari, jose belo, jose maria ramon, julien chaptal, arado, raresh, kabale und liebe, martin landsky, simon flower, dj t, dj w!ld, anja schneider, slam, ralph kollmann.

new kanada wades deep into the white waters of bass for this black summerdub. >my best dress< is a tough, confident jacker with awesome, mystic vocals by rosina of lal. 808 thumps, moog whispers, and a serious cr78 swing – nicholas murray (aka murr) really massages the mixing board on this one, and the resulting production shimmers with unexpected aggression. adams remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. disco hats, b52 bass lines and suburban base drops – the new feel for the old style. new kanada goes blue.

2nd part with more slamming prime time techno and skudge remix

remixes by adam port + &me and amir.

stunning double header on drumcode, mr fitzpatrick together wir adam beyer, any questions ?

ultraphat split 12 inch with prime time techno coming from adam beyer & jesper dahlback and paul ritch on the flipside

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

adam shelton & subb-an have single handedly made birmingham cool over the last few years with their infamous below gigs at the rainbow. >feel so real< reflects the duos work at its height. it is a classic sounding house record with familiar vocal hooks, warm chords and throbbing drums. it stands out from the crowd in much the same way fcls >lets go< did last year. is it old or is it new? old school sensibilities brought right up to date with cutting edge production skills. so it was with this thought in mind that we approached new 2020 signings fcl to remix. they have added their own vocals and developed the hook into a synth heavy workout. the pack comes complete with another track >inside my head< which features a line many will remember from nights spent at warehouse raves, one for the spotters.

repress 2012 !! big support from: reboot, davide squillace, maya jane coles, steve bug, carlo lio, sebo k, gregor tresher, timo maas, karotte, guy j, brothers vibe, martinez brothers, anja schneider, monika kruse, tiefschwarz, sis...

jyc-001 is the first release from junk yard connections. a small indie-label formed by a twenty years old guy from stockholm. highvalley is a floating track with elements and inspiration from jungle like motown, but still with a steady housegroove. feel is a track with a lot of melancholy mixed with a great swing. perfect for the afterhour! jyc-001 will just be released in wax and strictly limited to 250 numbred copies.

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

new kanada hits the quarter century mark with a long, subtle 10-minute analogue jam session. with milosh (plug research/k7) on vocals and melodies, and adam on the mixing desk - the single sided vinyl release is made for the long mix. a real slow burner that climaxes with an emotional payoff at the 5 minute mark. gavin russom meets talk talk. red, yellow and orange.

own meets the 60s with the naughties. its throbbing drum rhythm and soul-laced vocal make this a certain smash for those hot, heavy and sweaty nights. finally the much shought after remix of riva starr is available on a ltd produced stamped vinyl

first on decks.de !! this ep is an outflow boundary inspired by the outflow boundary that formed over nyc on september 16th, 2010. enjoy !

supported by: dubfire: doc martin, jamie jones, mandy, sebo k, ewan pearson, geddes the relentless duo subb-an & adam shelton get the floors shaking with the next release on their one label, ‘it’s time’, complete with a jozif and death on the balcony remix

no stranger to straight up, tracky techno - the cuts on adam marshall’s third cynosure release are pure evidence of his familiarity with the genre. >searching< on side a is the slick, dj-friendly, jacker - reminiscent of detroits early sound. a relentless, but never tiring, deep analog bass sequence backed with marshalls signature grooves are the recipe here. killer just about sums it up. on the flip, >jamming the unit< is another tracky workout designed for the long-mix, followed by the kick-less basic channel-influenced builder, entitled >champion<. a perfect weapon in any techno set. yes, another timeless, ace of an ep - packed with mix appeal from adam marshall… order now!

timmy regisford house rework of an r & b tune

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

amazing techno dream team with hypnotic and slamming techno !!!

the mighty beyer teams up with alexi delano fo a double header : turn loose / loose turn